wongaBlog
30Nov/080

A few geeky gift guides

Just a few I've come across this week:

I find the techy guides pretty useful. Any other recommendations?

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30Nov/083

Christine out of Strictly

I'm sad to see Christine go, but I think it was the right decision. The other four dancers are so ridiculously good it would have been unfair to knock one out in her stead. And reaching the final five is no mean feat - it's not like she left before her time or anything. Still, I'll miss watching her dance - I don't think I've ever seen anyone look so happy on the dancefloor, and that smile was a thing to behold.

A few mental jottings from this weekend:

  • Did anyone else find Lisa and Brendan's Amy Winehouse cha-cha totally bizarre? The dance was good, but it didn't seem to fit the music. It was like I had the tv muted and the stereo on.
  • Best quickstep ever from the professionals on Sunday. I like its usual elegance, but a bit of attitude made it much more fun.
  • I liked it when Len said 'cheese' and the ten audience members who'd watched It Takes Two fell about laughing, to the confusion of everyone else. I wonder if 'smorgasboard' was a similar challenge.

I still don't have a favourite. The final four are all very good, but none have grabbed me yet. I'm waiting for the Holy Shit Moment: in series 4 it was Mark & Karen's Argentine Tango, and last year it was Alesha & Matthew's Viennese Waltz, but this time, despite the high standard, nothing's made me sit up and take notice. I'm thinking it might come from Lisa, though. Tom & Austin have been pulling the same schtick all series, and Rachel literally couldn't get any better, technically. But Lisa, after starting from not-so-great, has improved enough to be their equal, and I'm hoping she'll properly take them on with something remarkable.

26Nov/084

Snowflake photography

While thinking about Christmassy photos this evening, I wondered how easy it would be to photograph snowflakes. I quickly came across snowcrystals.com, which has dozens of utterly beautiful images:

Snowflake 1 Snowflake 2

How easy is it to photograph them? Not very. The above shots were taken in the field, at -15 degrees celcius, with a purpose-built photomicroscope and coloured backlights. Aren't they gorgeous, though? The site is full of the science behind snowflakes, and it's worth exploring - they managed to grow a 2.5cm snowflake. I really want the book.

26Nov/0816

Here are some things I’ve learnt in this term’s photographic theory classes

Women only have children to make up for their lack of a penis.

This came up in "one of the two most important photographic essays of the 20th century". It's an idea originally from Freud, so it must be true. Freud can do no wrong on my course. He's worshipped as a god, despite the last thirty years of psychological research suggesting his explanatory framework is, well, bullshit. Here's the 'fair' Freud: A Very Short Introduction bending over backwards to give the guy some credit:

The female version of the Oedipus complex is less clearly worked out, in line with the fact that Freud continued to find women a puzzle throughout his life. However, Freud concluded that, while the little girl is also at first involved emotionally with her mother, her discovery that she lacks a panis, and is therefore an inferior being, leads her to become disillusioned with her mother whom she blames for her condition. This turns her towards her father as a love object, and she begins to phantasize that he will impregnante her. The resulting child, Freud supposes, will compensate the girl for her lack of a penis, and, in this sense, might be said to be a substitute for the missing organ. What brings this stage of emotional development to a conclusion is the girl's growing perception of other men as potential impregnators who will enable her to have a baby and thus overcome her continuing sense of being an inferior kind of human being.

Stated in so bald a fashion, Freud's perception of the Oedipus complex as constituting the central emotional stage through which every human being has to pass if she or he is to achieve adult stability and happiness sounds crude indeed. We have already observed that Freud invariably strove to reduce the psychological and emotional to the physical. To allege that all small boys fear castration at the hands of their fathers sounds ridiculous when taken literally. But, if we were to phrase it differently, and affirm that small boys are greatly concerned with establishing their identity as male persons, feel rivalry with their fathers, and are easily made to feel humiliated or threatened by disparaging remarks about their size, weakness, incapacity and lack of experience, most people would concur.

Maybe, but that's not really what he said, is it? In fact, in this case it seems he was wrong about everything until you massively overgeneralise. The defence is usually 'he was the first to think about this stuff', which is all well and good1. But if I go to a science class I don't expect to learn about Prime Mover theory, no matter how awesome Aristotle was.

The one high point of this topic was when my lecturer couldn't bring himself to mention Freudian dick theory in regard to fetishes. He said people fetishise things for 'a variety of reasons'. This was quite funny.

Western science, and indeed culture, has 'privileged the visual' for centuries.

God knows what this is supposed to mean, but they say it a lot. Galileo started the trend of privileging the visual when he looked through his telescope, apparently, and it's been true in astronomy - and pretty much all the sciences - ever since. The other senses are given far less attention. Apparently.

It's always spoken about in sinister tones, as if it's really oppressive. I keep thinking they're going to draw some profound conclusion, but one hasn't yet materialised. I honestly don't know how to respond. It's not even wrong. I mean, doesn't walking privilege the legs? It's just how things are, isn't it? How are you meant to look at the stars without using your eyes? Maybe I'm missing something profound, or maybe it's just filling time between drooling over Freud.

Society tells us what 'perfect vision' means. There's no concept of 20/20 vision in nature.

This is also SINISTER AND OPPRESSIVE. It's all a bit libertarian, my course. Oh look, someone's trying to help me see better. How bloody arrogant and insulting of them.

I think this meant to be some mealy-mouthed point about culture and its subtle influences. Which is probably an interesting discussion. Or would be, if they could think of any other examples.

I don't think society says jack shit about 'perfect vision'. I think society says you need a certain standard of vision for specific tasks, like driving. I think society says your vision can be improved - as a quantifiable measure - with corrective lenses. I don't think society makes any value judgements about your vision. If you want to stick it to the man by refusing to read eye charts just because someone tells you to, go right ahead.

Before humanity learnt about Cartesian perspective, people had an entirely different concept of the space around them.

This is all a bit odd. Apparently the understanding of perspective fundamentally changed the way we view the world. I'm not totally averse to this idea, but their evidence is so pathetic that I provisionally conclude they're making stuff up. Here's the proof: a few lines from the start of Hamlet in which the perspective is changed - because it's not like Shakespeare was a poet or anything - and an anecdote about showing a film to some tribespeople, who didn't understand it at all. Yeah, I'm totally convinced. They also say that pre-perspective painting indicates something other than 'them not having developed perspective yet', which, to my eyes, it doesn't.

Oh, and cameras were designed around2 cartesian perspective, which is SINISTER AND OPPRESSIVE. You may think your eyes see things in perspective, but they don't! As proof: do you ever walk places and notice new things, despite having walked there many times before? Proof that our brains don't work just through perspective! I'm so glad I came to university to learn this stuff.

-----

Sorry to rant. It just gets me down sometimes. I increasingly feel like it's a massive waste of my time. What isn't demonstrably wrong is just facile, unfalsifiable wittering, all presented as terribly profound art theory.

Maybe it is interesting, if you're not like me. I suppose there's value in discussing unfalsifiable theories, if you happen to find it fascinating. But I don't. I just find it annoying. I want to see the modern, evidence-based psychological research into people's experience of the world, and how they look at art, and how culture influences the way we think. In Our Time recently had an episode on neuroscience, and it was utterly fascinating. I know there's wonderful knowledge to be had, and it's so disappointing to instead get psychoanalytic gibberish from the '70s, by people incapable (suspiciously so) of writing clearly.

Don't worry, I'm not going to quit or anything. I have another 18 months of this before I hit the 4th year and can study whatever the hell I want, and I can live with it for 18 months. Goodness knows how the essays will turn out, though. I'm not optimistic about squeezing 3000 words from this term's work.

  1. the other defence, which my lecturer actually said to me, is 'he wrote really well' []
  2. 'designed around', as opposed to perspective being part of the physical laws of the universe []
25Nov/081

Vortex photo published

If you were to buy a copy of Weird U.S. - Volume 2 and turn to page 129, you'd find one of my photos. It's a shot of the Oregon Vortex - a roadside tourist trap where bizarre optical effects are due to 'the vortex' and not 'standing on a slope'. I made my family stop there in 2001, just because it sounded fun.

The book's publishers found the image on Flickr and asked if they could use it. This was before I started charging for commercial use, so I agreed in return for a credit and a copy of the book. It arrived yesterday, and there I am. Yay! Pleasingly, it's quite a fun book. There are many, many similarly bonkers attractions dotted around the USA - my favourite so far is the 19m Giant Jesus.

I've had a couple of photos published in newspapers / newsletters, but never before in a book. Admittedly it's more of a snapshot - on film, no less - taken before I got properly interested in photography, but still. Gotta start somewhere.

23Nov/086

You don’t get problems like this at the dentist

I had an optician's appointment on Thursday. I'm usually seen by a middle-aged dude, but this time it was a pretty woman of about my age. Now, I've long known that evolution denied me any ability to converse intelligibly with attractive strangers, but this time I decided to rebel. I resolved to be at least normal. This might have worked, but I then remembered reading how when you're attracted to someone your pupils dilate. And that was all I could think about. Dorkery resulted. Sigh.

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22Nov/081

The Sergeant Situation

The circumstances surrounding John Sergeant's decision to pull out of Strictly are increasingly odd. I didn't appreciate them before the last couple of days, and I now see two bizarre points I think are worth noting: one from the media, and one from John himself.

Until Wednesday, I understood this story. Here's the gist of the pre-Wednesday furore: is Strictly a dancing competition or an entertainment show? If the former, John should clearly be voted off. If the latter, maybe not.

Personally, I see the show as a dancing competition with error bars. The idea is that celebrities learn to dance, and the best progress. But it's flexible, and the capricious nature of public voting means sometimes you end up with Emma Bunton or Gethin Jones prematurely exiting the comptition, while their slightly-less-able counterparts survive. I like this drama of the unexpected, but it can go too far: in the first series Christopher Parker made it to the final at the expense of far, far superior competitors. I didn't like that - I didn't think it was in the spirit of the show. But that's me. If others watch it with less interest in dancing and more interest in the personalities, I don't know how to argue. I don't understand why they'd find that interesting, but it's not like the BBC has a written statement of What Strictly Means.

So John's progess was pretty frustrating to me, especially when Cherie exited last weekend. But when John pulled out my initial reaction was disappointment. It's sad he decided to sidestep the rules of the show1 and I was interested in his reasons. He said he was mainly worried he'd win, which would be be 'a joke too far'. Fair enough. I didn't think he would win - I have more faith in the voting public - but if that's his opinion, ok. I'd rather he hadn't, but it's probably better for the show, as I enjoy it, for him to be gone.

Then a couple of things turned me around. My grandmother said everyone should vote for John, and she doesn't watch the show. My Dad runs a committee of, um, late-middle-aged, quite-often-grumpy, probably-conservative people - not your average Strictly viewers - yet last weekend they were arguing similarly (Dad tried to argue back, but didn't get far). Paul has a post criticising the judges for not understanding the nature of democracy. These are just anecdotes, but suggest that John Sergeant's appeal is greater than I anticipated. But that's not the most interesting part. I wanted to know why these people were such fans, and a little questioning revealed the answer: they think he's being bullied by the judges.

This was a total surprise. I like to think I understand the Strictly universe. I am, after all, an enormous fan - put it this way: I'm aware the website has fixed-camera videos2 of all the dances. I've missed maybe two episodes of Claudia3 this series. I know what's going on. Except, apparently, I don't. Because it turns out the tabloids have been victimising him. These judges, they'd have you believe, are evil and all-powerful, and are being positively beastly to John Sergeant, who seems like such a nice man. From the tabloid description you'd think the judges have been organising rallies and funding anti-Sergeant leaflet campaigns.

It's like these people don't watch the show at all. Anyone who's seen it more than once would know Craig, Arlene, Len & Bruno wouldn't hurt a fly. Their 'nasty' comments are exactly the kind of thing they've been saying for six series. Their job is to judge the dancing, and they regularly take pains to remind competitors the criticisms are nothing personal. They all view the show as a dancing competition, and when asked whether John should have been voted out, say yes. That's it. The idea that this demonic quartet are wielding malevolent power to destroy a nice old man is crazy. John Sergeant has dealt with far worse, and clearly - from his appearances on It Takes Two - couldn't have cared less what the judges say. He seemed to be enjoying himself tremendously. Yet still this notion he's being treated badly. There's a little of the Ross/Brand affair going on here: do all these people think they're standing up for an old dude who's been insulted?

With this in mind, maybe John was right. Maybe he picked up on the support of the uninformed masses, and realised he might actually win. Now I have a bit more knowledge of the wider picture, I can understand this motivation. So maybe it did make sense for him to go. But there's something else that puts a spanner into this argument.

The other oddity came during John's not-widely-seen4 appearance on Wednesday's It Takes Two. While giving his reasons, he said continuing would be like walking into a trap: if he won it would be bittersweet, but going out in a dance-off would be 'humiliating'.

That annoyed me, as it's a) ignorant and b) pathetic. Ignorant because nobody has ever been humiliated in a dance-off: the producers of the show make damn sure everyone gets properly treated. The audience regularly give standing ovations to weaker couples, and to think that John and Kristina, with the public support they've had, would be embarrassed in front of the nation is just silly. It's hard to believe he actually thinks this, but if he does, and it genuinely played into his decision to leave, it's a bit pathetic. As Loulabelle says, every other celebrity has to face a dance-off, that's just part of the show. Sure, they're stressful if you don't want to leave - who hasn't felt for Lisa and Rachel in the last couple of weeks - but John clearly wouldn't be bothered about being sent home. It's a bizarre thing for him to say, and completely incongruous next to his supposed just-in-it-for-the-laughs attitude up to now.

And he's getting a special send-off dance on this evening's show: he'll perform a waltz, totally without risk or (presumably) comment from the judges. I'm not particularly impressed by this - if he wants to leave he can leave, but I don't see why he should get a swansong.

So on the one hand I'm giving him credit for being astute enough to pick up on the popular vibe. But in the same breath he's saying he can't face the humiliation of a dance-off. That doesn't fit. I don't know what to think, but I'm increasingly glad he's gone. 

Right, that's all I have to say except for go Christine5! The quality's never been so high, but I'm confident she'll pull through. Tonight's show, apart from the John & Kristina bit, should be excellent.

  1. especially as this means another two-person final []
  2. from which the dances look totally different. Really. When I was at the live studio I agreed with everything the judges said, and I think it's because you can see the dances unhindered. []
  3. little bit in love with Claudia []
  4. it started half an hour early, and not many people knew []
  5. little bit in love with Christine too. Come the inevitable day when I must decide between Claudia and Christine, I have no idea what I'll do []
21Nov/082

Wii Theremin

A theremin is a musical instrument1 that you play without touching. Two antennas pick up the movements of your hands, and translate them into pitch and volume. They rock. They're also quite expensive. They're on my Things To Own In An Ideal World list, sandwiched between an armonica and a trichobezoar. None of these are likely to happen any time soon.

Except, I might have a chance at a theremin, as someone has built one from a wiimote. I MUST DO THIS.

Gotta get a Wii first, mind.

  1. 'musical instrument' looks more stupid every time I read it []
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19Nov/080

God Trumps

I used to play Top Trumps at junior school. I mainly stuck to the deck of superheroes (shocking, I know), in which Captain America won every time, which is clearly ridiculous.

Much more sensible are New Humanist's God Trumps cards:

New Humanist God Trumps - Humanist New Humanist God Trumps - Humanist

Sounds about right. They've a selection representing all the major belief systems. Agnostics are, as ever, a bit crap. And one card trumps all by making everything NOT FUNNY.

18Nov/080

Google are digitizing LIFE magazine’s *entire* photo catalogue

That's 10 million images in total, most of which were never published. The first two million went online today. Like kottke says, it's a shame they're not on Flickr's Commons, but it's still a remarkable thing to do. A few sample searches.